Screens

The distinction between fine art and decorative art had no currency in Japan until the late 19th century when Western art historians began to impose their domestic theories and classifications. The co-existence of 用 and 美, function and beauty, was …
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Future

Glass

“But glass remained basically foreign to the Japanese, something that had no roots in indigenous culture. So only artists prepared to take risks used it, artists with a decidedly Western orientation – in other words, those who were notably open-minded …
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Shoso Shimbo | Spring Flower Arrangement

Installation by Dr Shoso Shimbo In the tradition of Ogata Kōrin’s (1658-1716) National Treasure screens Red and White Plum Blossoms, Melbourne-based Sogetsu master Dr Shoso Shimbo has created an inspiringly beautiful Spring installation of red and white plum blossoms in …
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Future

Story V | The Nude

Nude Installation Shinichi Maruyama at Lesley Kehoe Galleries Naked or Nude? Sexualized, Objectified or Beautified? On January 15 1889 Directive number 39 from the Japanese Ministry of the Interior banned nude illustrations, defined as ‘nude pictures of beautiful females and …
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Future

Story I | Budgets and Beauty

Takahiro Kondō 2007. Oil & Water installation. Petroleum ash on fleece, stainless steel with silver mist glaze 80 × 250.8 × 5 cm view on artsy ‘Beauty’ is not a four letter word, but ‘lust’ is, and an undesirable, if not sinful, human …
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Future